Barry Levinson directed Bugsy, with a screenplay by James Toback. The cast includes Warren Beatty, Annette Benning, Harvey Keitel, Ben Kingsley, Elliott Gould, and Joe Mantegna; Ennio Morricone composed the score, and Allen Daviau was the cinematographer. It's a biographical film based on Benjamin “Bugsy” Siegel, an infamous American mobster who gained influence during the 1930s and 40s. Levinson’s ambitious movie didn’t become the gangster film that many expected. There was considerable excitement surrounding the possibility of it being Levinson's version of Goodfellas. Instead, what audiences got was a sprawling and detailed film, but one less focused on violence or the typical tough-guy elements associated with mobsters, and more concerned with romanticism, visionary flaws, and foolishness. This approach proved to be both positive and negative, as Levinson seemed conflicted between showing deference to his central character or portraying him in a more brutal light. The narrative follows Siegel’s assignment to oversee West Coast operations, where he develops a relationship with actress Virginia Hill and becomes a significant figure in 1940s Hollywood. While the film does have moments of Siegel's anger and potential for violence, much of the story feels superficial; again, Levinson and Toback seem to overlook just how unpleasant Siegel truly was, opting instead for idealized notions and passionate relationships. The production values are excellent—it’s certainly well-made—but it never quite manages to offer a significant addition to the portrayal of Bugsy Siegel in film. Beatty is charming and engaging as always, but his depiction doesn't allow viewers to connect with the character on a deeper level, creating a sense of artificiality within the storytelling. The supporting actors are generally strong, although Mantegna’s casting as George Raft felt off; however, Kingsley and Gould deliver memorable performances despite limited material from the writers. The film runs for two and a half hours in its complete version, and it's impressive how consistently engaging it remains throughout. Nevertheless, the various elements struggle to coalesce into a unified whole, which is disappointing. 6.5/10

Source on TMDB