I don’t want to upset you; my intention is to assist you. I believe I have some understanding of what you are going through. David Lynch wrote and directed Blue Velvet. The cast includes Dennis Hopper, Isabella Rossellini, Kyle MacLachlan, Laura Dern, Hope Lange, George Dickerson, and Dean Stockwell. Angelo Badalamenti composed the music, and Frederick Elmes was responsible for the cinematography. The story begins with Jeffrey Beaumont’s (MacLachlan) discovery of a severed human ear in a field, which draws him into complicated mysteries involving a beautiful nightclub singer and a group of criminals under the control of the psychopathic Frank Booth (Hopper). You'll find many people declaring this to be David Lynch’s final accessible work of genius, while others believe it marked the beginning of his move toward mainstream success. I simply consider it a good film—it’s straightforward enough to follow, even when it’s unsettling and strikingly unusual. From the start, it's clear that Lynch intends to reveal what lies beneath the pleasant surface of small-town American life. It’s a detective story with a twist, centered around the innocence of a young man helped by the girl he is developing feelings for. They both find themselves in a world of adult psychological darkness, alongside the bizarre and frightening presence of Booth and his strange companions. One pleasure to be found here is watching what Booth's group does in the background; it’s wonderfully odd. The cast delivers excellent performances, most notably their willingness to take risks under Lynch’s direction. Blue Velvet did get Lynch a Best Director Oscar nomination, which is somewhat surprising considering the year was 1986 and the controversial themes are quite provocative. Frederick Elmes also photographed the equally controversial "River's Edge" that same year, and once again he adds Neo-Noir textures to the film. Angelo Badalamenti’s musical scores complement the scenes perfectly. Memorable pieces include Bobby Vinton’s title song and Roy Orbison’s “In Dreams,” which are certain to stick with you whenever you hear them. Lynch's film is conventional in its plot, yet disturbing because of how it combines beauty and violence—both visually and verbally—and there's also some subtle humor to be found. I don’t consider it the masterpiece that some claim it to be, as it has more style than substance, more shock value than deep character development, but it remains a great, clever, and unforgettable film. 8/10

Source on TMDB