It's rare for a late-night movie to come close to achieving what it sets out to do, but “Bloody Hell” is an exception. This violent, chaotic horror-comedy involves monsters, forbidden romance, a strange family, and a very unfortunate man trying to change his life. Filled with a twisted sense of humor and unexpected moments, it’s quite the wild ride that seems destined to become a modern cult favorite. After a video surfaces showing him fighting back during a bank robbery, Rex (Ben O’Toole) becomes the center of public discussion. He's on trial because his actions saved a group of people from the bank, though an innocent bystander was unintentionally hurt in the process. Some view Rex as a brave hero, while others see him as a dangerous criminal. He receives a sentence of eight years in prison in Idaho and even after being released nearly ten years later, he can’t avoid what people think about him. Hoping to find somewhere he can start over anonymously, Rex randomly picks Finland as his escape route. But upon landing in Helsinki, he is drugged in the back of a taxi and wakes up chained in a dark basement—with a missing body part. The plot is straightforward but well-constructed, with an excellent setup that delivers tenfold. Director Alister Grierson uses inventive storytelling techniques, including having Rex converse with an imaginary version of himself. This internal dialogue manifests as a kind of evil twin who appears at key moments to encourage Rex’s darker impulses while he attempts to escape. There are suspenseful scenes, but the film never becomes overly bleak due to its quirky and dry humor (when a character realizes they've been talking to themselves for years, Rex simply shrugs it off, saying “we all have issues”). It doesn’t take long to become invested in the mystery of what happened, where he is, and why, largely because of the lead actor’s charm and his dedicated performance. The entire cast is excellent, delivering the nerdy film references in the script and fully embracing the cohesive vision from Grierson and screenwriter Robert Benjamin. Although it ultimately becomes a great movie, getting through the first fifteen minutes is rough going. I was initially so bothered by the directing style that I almost quit entirely. Grierson’s use of artistic visuals is intensely irritating, but once the story picks up pace and he tones things down (and eliminates all the unnecessary jump cuts), it transforms into what amounts to a near-perfect late-night movie experience. Once Rex arrives in Finland, everything on screen is wonderfully entertaining. The latter half of “Bloody Hell” had me cheering more than once, and it will probably be even better if you can watch it with a lively audience. Fans of the genre shouldn’t miss this one.

Source on TMDB