I had a pleasant time initially with this film featuring Tyrone Power, but about halfway through, I found myself considerably let down. Hoping to emulate his grandfather, he portrays "Gallardo," an aspiring bullfighter who is dismissed by critic "Curro" (played memorably by Laird Creggar) as being subpar. Gallardo’s ambition isn't merely financial; he wants recognition so he can return home and win the affection of childhood sweetheart "Carmen" (Linda Darnell). However, achieving success has its downsides. At the height of his fame, he attracts the attention of the alluring and somewhat scheming "Doña Sol" (Rita Hayworth), who intends to... well, it's fairly predictable from there. Perhaps that’s where my issues lie. It starts as a drama exploring the often harsh realities faced by bullfighters—whether accurate or not—and brought to mind other movies about boxing. For many individuals, and their families, this profession represented a chance to break free from poverty. The film also shows how damaging excessive praise can be when directed toward someone who isn’t particularly resilient. The latter portion of the movie does weaken, drifting too close to melodrama as Alfred Newman's music becomes overly noticeable (and foreshadowing what is ahead). Anthony Quinn provides a solid performance as the disgruntled "Manolo," but not quite enough to maintain the action sequences’ momentum. It's clear how much Power and Hayworth would draw audiences in, but I was ultimately disappointed by the narrative itself.
On September 27, 2026
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