I thought this was likely going to be a gamble from a creative standpoint, and for me, the concept of a French filmmaker transplanting a Greek myth to Brazil’s varied cultural landscape felt like a significant challenge. It's visually striking and boasts good casting, but I found that the narrative tried to juggle too many different ideas. The basic storyline remains faithful to the original tale; this time, "Eurydice" (Marpessa Dawn) leaves her hometown to escape an unwanted suitor. She meets tram driver "Orfeu" (Breno Mello), and they quickly develop a connection. He plays guitar for her—even though he’s already engaged to “Mira” (Lourdes de Olivera). Predictably, “Mira” isn't happy about her boyfriend's infidelity, and when “Eurydice” disappears during the festivities of Mardi Gras, "Orfeu" becomes suspicious and must embark on a quest that will challenge his courage and love—and lead him toward danger. I liked the initial idea, but ultimately it didn’t quite come together for me. It seems like there might have been opportunities to incorporate local myths more effectively. The film brought to mind Preminger's "Carmen Jones" (1954) in that relocating a classic story to a new and vibrant setting can diminish much of what made the original compelling—even if it’s a timeless love story that seems, on paper, easily adaptable. Nevertheless, there’s undeniable chemistry between Mello and Dawn, and I appreciated Olivera's performance as well. The cinematography is gorgeous and really captures Rio de Janeiro’s energy; it’s certainly beautiful to look at. However, I am not convinced the narrative elements quite mesh together, and there feels like too much emphasis on the setting compared to developing the characters.

Source on TMDB