An unusual movie, made by Finnish filmmakers but carrying an American sensibility, remains distinctly American. Hollywood has previously produced films depicting the U.S. President enduring brutal attacks, violent enemies, and numerous terrorist plots—situations from which he typically escapes with military or covert assistance. Occasionally, the president finds himself needing rescue. These kinds of movies are generally enjoyable, particularly for audiences in America, as they reinforce patriotism and often portray the United States as a vital force in the West, a defender of democracies and freedoms, overlooking instances where the U.S. has committed atrocities to protect economic or political interests unrelated to democracy or freedom. This film essentially takes that formula and transplants it to Lapland, Finland—a region most people know only as Santa Claus’s home. It could have been Santa himself who saved the president... but instead, his life is in the hands of a Finnish child wielding a bow and arrows. This young hunter possesses knowledge of the forests, hunting techniques, and survival skills, but he must confront a group of armed individuals. As far as I’m aware, this was my first experience with a Finnish film, even though it's a co-production involving significant American investment and is predominantly in English. Directed by Jalmari Helander, a filmmaker who has achieved international recognition and brought a piece of his country to the global cinema landscape (something we are lacking in Portuguese filmmaking), it proved to be entertaining—though it would have benefited from more scenes filmed in Finnish. I’m not sure if most people here speak English as fluently as that boy does, but such proficiency in a foreign language – even the world's most international one – seems unrealistic for someone so young. Sadly, this isn’t the only unbelievable element; the film is riddled with moments where believability disappears entirely. I appreciated Samuel L. Jackson’s performance. He’s a highly capable actor suited to action roles and possesses remarkable charisma that he effectively utilizes in the movie. Though not precisely the main character, he takes on a significant role, resisting capture and demonstrating resilience while forming a strong partnership with the young actor Onni Tommila. These two actors are, at the very least, worthy of special mention. Ray Stevenson could also be added to this list, but I often felt that he seemed to struggle with his material, and Jim Broadbent has limited screen time. The film’s greatest strength is its entertainment value, especially for those who enjoy American-style action movies with exaggerated elements. It's packed with action sequences, heroic moments, and over-the-top scenarios designed to engage the audience. However, that doesn't make it a good movie. It lacks intelligence, logic, authentic depictions of Finland (instead resembling the French Alps), believable visual effects, and a soundtrack that is less intrusive and more harmonious; Sibelius likely turned in his grave upon hearing it.

Source on TMDB