Following a brutal beating by bullies, “Balli” (Áskell Einar Pálmason) shows up at school with an appearance reminiscent of "Phantom of the Opera," which immediately makes him a target for ridicule from “Addi” (Birgir Dagur Bjarkason) and his companions, “Siggi” (Snorri Rafn Frimansson) and “Konni” (Viktor Benóny Benediktsson). It doesn't take long before these boys recognize that their backgrounds—marked by drug use and unstable families—connect them more than they initially thought. Soon, "Balli" invites them back to his modest home, shared with his mother and sister, for a mushroom-fueled gathering involving a vacuum cleaner! These aren’t ideal young men; “Konni,” for example, enjoys fighting, a skill that proves useful as the narrative also explores “Addi's” ability to access what his mother describes as his "subconscious." During one of his intense dreams, he suspects that someone who regularly visits "Balli’s" home is abusive and that the boys will need to step in. This plan doesn’t unfold as expected, leading to repercussions for all four characters with varying degrees of significance. I don't have extensive experience with Icelandic films, and this one certainly isn't the type to excite tourism boards, but the performances from these four teenagers offer a raw and authentic portrayal of life in rundown public housing—a place where they were largely abandoned by society, developing their own sense of discipline and loyalty instead of traditional family values. There’s a strong feeling that their course is predetermined throughout much of the film, and this bleakness is emphasized through close-up shots, dark humor, and concise but impactful dialogue delivered both verbally and with baseball bats. At its core, it's a compelling story about friendship and mutual support, yet there’s no trace of melodrama or emotional manipulation. Despite the prevailing atmosphere of negativity, perhaps some measure of hope awaits them in the end?

Source on TMDB