While there are some positive aspects, it's not unbiased. I was too young when this World Trade Organization meeting took place in 1999 to have memories of it. Still, I understand that these kinds of gatherings often become a focus for demonstrations—a gathering place for people supporting countless causes: those without direction, anarchists, socialists, communists, environmental activists, and individuals who believe in various theories. I’m not entirely sure what transpired, but it's clear the protests involved violence and, to some degree, they accomplished their goals by seriously disrupting the summit and city life, ultimately becoming more significant than the summit itself. Subsequent summits were handled with greater caution. I could have explored questions about the actual value of the WTO, or whether there are alternative ways to promote trade and easier commercial interactions between countries, potentially leading to the end of this organization that seems questionable. But something I’ve learned through life is that those who hold wealth typically prevail in these conflicts, even if they experience setbacks along the way. Stuart Townsend directed the film with considerable skill. The director doesn't conceal his support for the protesters and the film isn’t presented without bias. We see an elevation of peaceful demonstrations, a negative portrayal of authority figures (even though the police are shown as officers simply doing their jobs), and even exposure of individuals who, under the guise of protests, damaged property seemingly on impulse. Personally, I would have preferred a more balanced perspective; if the intention was to criticize the economy and the WTO, it needed better context. The movie features recognizable actors, and Martin Henderson is among those deserving recognition for his performance. He did well, appears physically fit, and effectively used the material he had to give depth and personality to his character. I also appreciated Charlize Theron’s portrayal of his wife. Ray Liotta delivers a strong performance as a mayor overwhelmed by events. However, I didn't find the rest of the cast particularly memorable; they mostly fulfilled their basic requirements. The film possesses remarkable visual appeal, successfully recreating the atmosphere on the streets during those days in December 1999. The recreation is pleasing to watch without sacrificing authenticity or realism. The sets (streets) and costumes are also effective, and the cinematography makes skillful use of smoke and light/shadow effects, along with dynamic camera movements that place viewers directly into the action.

Source on TMDB