There’s a smaller storyline involving singer Melé (Aïssa Maiga) and her husband Chaka (Tiécoura Traoré), but the central focus – presented entirely in French – revolves around an impromptu courtroom setting in their yard. The purpose of this setup is to try and hold accountable some international organizations that many believe are still draining Africa’s resources. In countries like Mali and Cameroon, nearly 40% of their gross domestic product goes toward debt interest, while only about ten percent is spent on essential social programs and healthcare. It's structured like a real court with a judge in a red robe overseeing lawyers presenting arguments for and against the issues, and these discussions can be quite engaging. However, it does oversimplify things somewhat and overlooks some fairly straightforward problems, mainly because it concentrates on difficulties stemming from former French colonial territories, treating the entire continent as if its challenges were uniform—which isn’t the case. It also sidesteps any acknowledgment of the post-independence power struggles and corruption that arose among those who inherited the situation from the departing Europeans and viewed it as a chance to enrich themselves – and settle old scores too. The film embraces the French courtroom tradition of lawyers delivering speeches rather than questioning witnesses, highlighting their skill in obscuring the debate with legal jargon, which ultimately hinders any real progress. For example, when one woman presents a letter seemingly supporting her case, the fact that she received it by error and sent it to the media appears more significant than the letter’s actual content. The narrative effectively demonstrates that, ultimately, the rule of law frequently serves the interests of those with the most to lose or maintain, often at the expense of those it's supposedly there to protect. There are moments when the dialogue veers into excessive lecturing, but even a brief western-style sequence featuring Danny Glover is included, presumably to further illustrate how little value human life can have when weighed against the vast wealth of their lands. It’s genuinely thought provoking and, despite its somewhat unpolished nature, deserves to be seen.

Source on TMDB