There are certain things a man needs to know and do, and it’s generally better if he handles them on his own. Backlash (1956) comes from director John Sturges and is based on Frank Gruber's novel, with the screenplay by Borden Chase. Richard Widmark, Donna Reed, John McIntire, and William Campbell are featured in the cast. Irving Glassberg’s Technicolor photography showcases location shooting in Tucson, Arizona. The story unfolds in 1870 Arizona, where Jim Slater (Widmark) is trying to uncover what happened to his father during an Apache attack at Gila Valley. This search leads him to Karyl Orton (Reed), who also wants answers about the same raid because her husband has disappeared. With missing family members and lost gold surfacing, a Pandora’s Box has been opened, releasing a flood of revelations. The strength lies in the writing and the characters. It's important to understand from the start that this isn’t an action-packed film; it’s more of a mystery, essentially a detective story set against a Western backdrop. The approach is somewhat different, but consistently engaging thanks to Chase’s unusual script, which introduces a wide range of characters—some are well-developed, others fill standard genre roles. While there are familiar elements present, they're balanced by some surprising turns in the plot. Although it doesn’t have the psychological depth associated with Anthony Mann and Borden Chase collaborations, it doesn’t shy away from difficult choices. Glassberg’s cinematography is superb, full of color and vitality, beautifully capturing the film’s Arizona setting. The acting is excellent overall. Widmark shines as a tough hero, and Reed is striking in her portrayal of a complex woman. McIntire delivers another solid supporting performance, and Campbell entertainingly over-the-top as fiery gunslinger Johnny Cool. The main cast has all produced better work within the genre, but this offers a refreshing change for everyone involved. It probably won’t excite those looking for fast-paced thrills, but viewers who appreciate more thoughtful storytelling should find it appealing. 7/10

Source on TMDB