Anne Wiazemsky delivers a noteworthy performance as "Marie," portraying a young woman whose existence has been closely tied to her donkey, “Balthazar.” What began as a childhood companion, this animal has endured mistreatment from various individuals over the years—including her unpleasant boyfriend, "Gérard" (François Lafarge)—experiences that seem to reflect Marie’s own suffering and dissatisfaction. Unlike those around him, "Balthazar" lacks the ability to express his emotions; he passively endures being exploited as a work animal, subjected to harsh conditions, and generally disregarded. Robert Bresson employs this narrative to draw parallels between how animals are treated and how people interact with one another—showing kindness when it serves a purpose but displaying cruelty once that need has passed or disappeared. The film presents a disheartening yet occasionally hopeful perspective on the impulsiveness of young people and the lack of understanding often seen in older generations, all conveyed with restraint. The conversations feel distant—almost unnecessary—as the story unfolds with an inescapable sense of fate, much like life itself. The cinematography is observant and personal, the rhythm unhurried, and it's genuinely moving. It feels authentic and raw, and it’s a film that stays with you.

Source on TMDB