It wasn’t merely insanity and murder; there was plenty of that to be found for everyone involved. Francis Ford Coppola directed Apocalypse Now, also co-adapting the screenplay with John Milius from Joseph Conrad's Heart of Darkness. The film features Martin Sheen, Marlon Brando, Robert Duvall, Laurence Fishburne, Dennis Hopper, Harrison Ford, Frederic Forrest, Sam Bottoms and Albert Hall. Vittorio Storaro handled the cinematography and Carmine Coppola composed most of the music. During the Vietnam War, Captain Benjamin L. Willard (Sheen) is contacted by American intelligence for a confidential mission: to travel up the Nung River into the Cambodian jungle and eliminate Colonel Walter E. Kurtz (Marlon Brando), an Army Special Forces officer who has lost his mind. Apocalypse Now remains one of the most discussed and analyzed films ever made, still a disturbing and unsettling experience for those seeing it for the first time. The production itself is legendary, and Coppola's flawed masterpiece has been intensely examined and debated. It seems people will continue to write about it indefinitely; maybe even discovering new, challenging perspectives on what’s contained within. Ultimately, how an individual experiences the film matters most—our own interpretations are essential to appreciating such a troubling portrayal of war and violence. Many scenes, lines, and characters have become part of popular culture, and deservedly so. The Ride of the Valkyries helicopter attack, Kurtz's bizarre compound, the massacre of the boat people, purple haze, the young women, Kilgore—and of course, the horror, the horror...indeed. The acting matches Storaro’s beautiful Philippine photography; Sheen is intensely dedicated and Duvall and Hopper are both powerful and unsettling. Brando, in his own peculiar way during the final section, unintentionally introduces a bit of chaos that fits with the madness at its core. I feel that last, drawn-out third does prevent it from being a truly flawless work, but everything before it is so impressive that perhaps it’s unfair to expect absolute perfection? As far as films approaching perfection go, Apocalypse Now stands among the very best, looking somewhat haunted while doing so. 9/10

Source on TMDB