The film 'Ammonite' shares a quality with its central character, creating an initial sense of separation from the viewer—though this is intentional, ultimately amplifying the impact of the story’s resolution. It isn’t presented as a straightforward romance, but rather a return *to* love, taking viewers on a path that leads somewhere unforeseen. The film suggests that what Mary seeks – the fossil she strives to unearth within herself– might not be found in another person, but in rediscovering a lost part of her own being, something suppressed or removed. Charlotte serves as the means for this personal liberation, and in turn, emerges from her own struggles, reconnecting with a passion and affection she believed were gone, experiencing joy in their discovery. 'Ammonite' is a gorgeous, thoughtful, and clever film, crafted with sincerity, principle, and an understated humor that surfaces unexpectedly. It reinforces the validity of trusting Francis Lee’s vision, and provides another significant queer drama that challenges conventional portrayals of these characters’ lives.

Source on TMDB