The conversation surrounding this movie has been somewhat sidetracked by debates about the nature and acceptability of the bond between Alexander (Farrell) and Hephaestion (Leto). It seems misguided to impose modern social standards on a culture where same-sex relationships were simply not considered unusual. Whether their connection was primarily sexual, romantic, or a combination of both isn't really the central issue – I believe Oliver Stone intended to immerse viewers in a more intricate exploration of human behavior. This might also be influenced by cultural perspectives; men across Continental Europe, from Scandinavia to the Mediterranean, and their descendants in North America, generally hold a less inhibited view of physical closeness between males. However, this discussion does effectively divert attention from what is essentially a disappointing attempt at an epic film. The movie possesses visual splendor and style, but it ultimately feels hollow. It has the texture of a beauty contest rather than something gritty and real. The writing is verbose and underwhelming, and the characters are underdeveloped, especially considering we start with essentially a blank slate and have ample time to develop their stories. As expected, it's inevitably compared to the 1956 version starring Richard Burton and Frederic March, but not in a positive light; the large ensemble cast doesn’t quite click together as effectively, and the computer-generated imagery is nowhere near as believable as the authentic photography of the earlier film. It was clearly a production with significant resources, yet it represents a wasted chance to portray one of history's most mysterious figures.

Source on TMDB