My impression is that A White, White Day was striving to be a distinctive independent film, and if I’m correct, its ambitions were not quite high enough. The camera's tendency to hold on static compositions, the instances where symbolism appears—like when we observe a stone rolling down a slope, over a precipice, into the water, and along the ocean floor—all feel overly deliberate; I believe that time would be better spent emphasizing the atmospheric qualities of the setting and the fog. The script has moments of strength, but it’s uneven. The character of Salka is my favorite, frequently dominating scenes. She avoids being a typical adult trapped in a child's form; she acts like a child often, yet also receives some well-written dialogue that she delivers effectively. It would have been simpler for me to become invested in the movie if I’d connected with the central figure, but unfortunately, I never truly found myself supporting him. His strongest scenes were those involving his granddaughter; otherwise, I wished he had faded into the background more and other characters given greater prominence. The narrative progresses slowly toward its final point. I won't reveal specifics, but I considered it to be implausible and felt that the protagonist escaped consequences too easily for what he did. However, unlike many independent films it seems to want to resemble, it does provide a resolution rather than simply halting the story abruptly.

Source on TMDB