I was incredibly frustrated by the audience's behavior – people eating, fidgeting, and arriving late really detracted from the experience. From the beginning, I found myself with numerous questions: How did they end up in this place? Where did the creature originate? And ultimately, those questions remained unanswered, leaving me with even more. Will they manage to survive and eliminate all of the monsters? Are the other characters deceased? What prompted them to have a baby? But these details don’t really matter. The film throws you directly into this scenario without much explanation for anything. The only thing we learn is that making long noises usually means death, while high-pitched sounds cause pain to the monster. Discovering this felt like an obvious choice, perhaps even a bit too straightforward – it's hard to believe they hadn’t considered it earlier. A quick thought about survival strategies beyond the occasional soundproofing: why not create something like a sound bomb that could be thrown? That might have prevented the father's sacrifice. However, this doesn't mean the characters were foolish; they did make several intelligent decisions, such as utilizing the sand paths, creating a secure space for the baby (which was quite sad), constructing a small soundproof room, using a radio, and employing fireworks. And that’s just concerning the sounds – the use of lights and fires also proved to be clever. The cast delivered some truly remarkable performances with great chemistry between them; it probably helps that John and Emily are an actual couple. Speaking of which, John Krasinski wrote and directed a very inventive and suspenseful horror movie. I’ve never been quite so frightened of corn before, and I even jumped at the sight of water. The sound department, particularly the Foley artist, truly excelled in this film. The approach to sound is different from most horror movies; typically, silence precedes an attack, but here, the monster's arrival is always accompanied by a significant moment. While I’m not opposed to R-rated films – sometimes they are more appealing because of it, showing a willingness to take chances – this film demonstrates that a well-executed PG-13 rating can still be dark and intense. Killing a child within the first ten minutes is certainly quite dark, although he probably had it coming as soon as he grabbed those batteries; there’s even a hint of blood, suggesting perhaps the MPAA is easing up on some restrictions. Probably not though – F*ck you MPAA!!! Sometimes unnecessary elements are added to a film simply because they want an R rating, but this isn't always necessary, and this movie proves that a PG-13 can still be brutal. I apologize if my review is starting to sound like an R-rated film. 😆 Also, I’ve noticed I enjoy films where you can easily list all of the actors involved. Alongside Get Out, it seems people from comedy backgrounds make better horror directors than most traditional horror directors; that definitely makes sense when you consider the importance of timing. Overall, it was a captivating film from beginning to end. I highly recommend it to fans of horror and thrillers, though given the spoilers in this review, you’ve likely already seen it. Please leave a comment and let's discuss.

Source on TMDB