Alison (Florence Pugh) is celebrating her engagement to Nathan (Chinaza Uche) when an accident occurs while she’s behind the wheel, and a year later, things have significantly altered. She’s having difficulty processing what happened and has become reliant on pain medication. Her mother (Molly Shannon) and friends are frustrated and believe that attending Alcoholics Anonymous might provide some relief. It's at this meeting that she runs into Nathan’s father, Daniel (Morgan Freeman), a former police officer, and we gradually learn about the events that led everyone to where they are now. Pugh commits fully to her role, but the narrative feels underdeveloped and, in my opinion, excessively theatrical. The storytelling method, which looks back on events, leaves too many unanswered questions, and the conflicts feel somewhat manufactured and unbelievable. Alison is undoubtedly the most captivating character, though she’s also the most frustrating; I struggled to feel any empathy for her, or even for Daniel or Nathan, because the plot lacks depth. While it attempts to address serious and emotionally difficult subjects, Zach Braff seems satisfied with delivering a well-acted but shallow melodrama that, in my view, doesn't do justice to the cast’s abilities. There are also too many somber guitar songs that seem to take over when the writers run out of ideas. It’s acceptable enough to watch, but it isn’t particularly good.
On September 28, 2026
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