Edward, portrayed by Sebastian Stan, is a man with facial disfigurements living in a neglected apartment, seemingly without much direction in his life. His circumstances change when a new neighbor arrives. Ingrid, played by Renato Reinsve, is a writer who befriends him and offers him a role in her play. Simultaneously, medical professionals initiate an experimental treatment that gradually restores his appearance. Upon returning home, amidst some unsettling occurrences from the ceiling, he finds that people no longer recognize him, forcing him to adopt a new persona. It's then that he learns Ingrid is indeed producing a play—titled and centered around the character of "Edward"—and he desperately wants the part, believing it rightfully belongs to him. The challenge becomes how to secure it without revealing his deception. Adding to his difficulties is Oswald, portrayed by Adam Pearson, who also desires the role; Oswald possesses the natural physical characteristics Edward lacks due to prosthetics. Ingrid faces difficult decisions regarding casting, leaving Edward's fate uncertain. There’s a distinct sense of repetition in how the narrative unfolds, resembling a cautionary tale where wishes come with unforeseen consequences, generating both hope and despair for Edward, and potentially creating an antagonist in the process. It raises questions about whether such portrayal is warranted or justified. The film highlights societal superficiality, prejudices, and assumptions, while also critiquing the fleeting nature of friendships, fame, and success—all presented in a fairly captivating manner by Stan and Pearson. Stan particularly conveys a palpable sense of frustration as the ending subtly evokes Chaplin’s style. It's worth noting that the movie is genuinely humorous at times; the script avoids imposing any moral lessons, instead presenting situations for the audience to enjoy and interpret freely. The story moves quickly, immediately immersing viewers in character development and personality revelations—both positive and negative—making it a worthwhile experience of a couple of hours on screen. I appreciated it even more during a second viewing, as I was able to concentrate more on the subtleties rather than just the visuals.

Source on TMDB