Lisa, an exchange student in London, begins a relationship with Matt that feels fleeting and intense. They share what amounts to an extended, unofficial period of bliss; we observe them dancing, drinking beer, taking drugs, simply spending time together, engaging in inconsequential conversations, attending numerous rock concerts (all nine songs featured are performed live), and being intimate. There's a significant amount of nudity, and the sexual encounters range from hesitant to passionate, frequently unrestrained and experimental—as well as explicit and unsimulated (and, I should note, safe). Simultaneously, the songs, almost all by indie, garage, and punk rock groups like Black Rebel Motorcycle Club, Elbow, and Primal Scream, are raw and direct, fitting for a live performance. The film’s brief duration, just over an hour, also seems to reflect a minimalist punk approach. The sexual scenes follow the musical performances, with at least one instance where they blend together into what could be described as a combined audiovisual climax—the act of sex and the music merging to express the deep connection between them that has always existed in rock 'n' roll. By presenting Matt and Lisa as the only characters with dialogue and distinct personalities, director Michael Winterbottom emphasizes that their relationship isn’t solely about physical intimacy; like happens when two people fall for each other, they experience a sense of isolation, feeling as though they are the only individuals in existence—a sensation heightened by the presence of the audience at the concerts, who appear anonymous and indistinguishable. Matt works as a glaciologist, and his immediate passion for Lisa is juxtaposed with the enduring nature of Antarctica (“the memory of the planet”), from which he looks back on their romance. After one year, Lisa returns to America, and they separate without lengthy farewells. This feels like the most realistic conclusion to a relationship, because, as we all know, that initial intense phase eventually fades, and even sex can become routine—like hearing the same song every night. And truthfully, despite the musical and sexual variety – which includes cunnilingus, masturbation, blindfolds, tying hands, and manual, pedal (for lack of a better term), and vaginal intercourse –, the film’s construction starts to feel predictable toward the end, though thankfully, its short length prevents this from becoming truly tedious.

Source on TMDB