Around 2002, an 18-year-old watched a movie in her local cinema that became one of the best zombie films of her generation. Danny Boyle's *28 Days Later* really changed things and started what turned into a huge series of films. A little over 23 years later, now slightly older but still obsessed with horror, she went to see the next movie in the series. This wasn’t just another sequel; Nia DaCosta created an exciting and dramatic film that could be its own thing entirely. It's much more than simply a zombie movie. The infected are dangerous, but the real scary parts come from society falling apart and how people try to survive in this awful world. Even if some of the characters were questionable choices, it’s hard to deny Jack O’Connell is perfect as the villain, Sir Lord Jimmy Crystal. In a world without hope, the worst aspects of humanity are free to cause trouble. There are scenes showing just how low Crystal and his followers will go, even against each other. On the opposite end of that, this film balances its dark story with Ralph Fiennes returning as Dr Ian Kelson. He brings much-needed kindness and a belief in people's ability to be good, even when things are far from normal. Using his medical knowledge, he tries to bring humanity back to Samson (Chi Lewis-Parry), who is like an aggressive leader. The bone temple itself should feel terrifying but instead acts as a memorial for the dead—a reminder that death is part of life. The best part of this film happens in the last twenty minutes. Inside the bone temple, there's incredible storytelling, performances that could be career-defining (especially considering Fiennes’ already impressive work), and visuals that will stick with viewers forever. The music is great; using Duran Duran to highlight happy moments provides a welcome lift. But even better is Iron Maiden’s “The Number of the Beast.” It's brilliant that they used it in the film itself, adding drama and turning an already good scene into something iconic. *The Bone Temple* does what most films in the middle of a series fail to do. Instead of getting caught up in plot problems (*The Strangers* did this, where you know the main character survives for the final movie, making the second one pointless), it builds on the story and makes the whole trilogy almost unbeatable. If Nia DaCosta wasn’t already someone you wanted to watch out for, she absolutely should be now. The expectations are incredibly high for the last film, and I'm really looking forward to seeing what happens next.

Source on TMDB