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12 Angry Men (1957)

1957 • 1h 37m • Drama • NR
On September 27, 2026
#1781▼ 1390
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Filipe Manuel Neto on 12 Angry Men

10/10 · May 23, 2023

It’s a really solid film, featuring excellent performances from the cast. As someone who isn’t American, I find it somewhat difficult to fully grasp how this justice system functions. It's not that I disagree with it, but in my country, trials of this kind are rare; decisions usually rest on the judgment of a judge or panel of judges, rather than relying heavily on lawyers attempting to persuade a jury. While jury trials are permitted under Portuguese law, they’re reserved for very specific situations and aren't commonly used. To better understand the film, I had to do some reading about how real-life jury trials actually work, and it’s here that my biggest reservations arise. Does this movie accurately portray what really happens when a jury decides on a sentence? Throughout, it seems clear that the trial was poorly handled, largely because the defense wasn't effective and failed to engage the defendant (which is hard to admit, particularly in a capital punishment case). Was there anything the jurors could have done differently besides deliver a verdict? I’m honestly not sure. That’s something for legal experts and people with more knowledge of the subject to determine. The film feels like one of those plays that's been adapted for the big screen: most of the action is contained within a single, rather small setting, involving a limited number of characters who interact through dialogue. Dialogue is central to the movie, and it’s not always pleasant. The tension builds noticeably; when several jurors want to simply dismiss the case, that gradually shifts as details are examined and doubts about the trial surface. It's genuinely well-written, skillfully directed (Sidney Lumet’s finest work), and boasts a strong cast with Henry Fonda in a particularly memorable role, marking one of his best performances. Lee J. Cobb also deserves recognition for his portrayal of a deeply bitter character. Each actor is given the space and material they need to do their job well, and they all succeed. From a technical standpoint, it's an understated film, largely because of its modest budget. However, it demonstrates that you don’t necessarily need unlimited funds to create something excellent. The setting feels authentic, but Lumet truly excelled in his creative use of camera work and angles to heighten feelings of confinement or unease. At times, the camera gets so close to the actors' faces that you can see how the heat and the stress of the situation are affecting them.

Source on TMDB